Are you thinking of this?
Or are you thinking of those timeless, iconic dresses and accessories when women “dressed?” Actually, properly, perfectly dressed.
Spiral silk hat for Eisa, 1962 Spain. (c) V&A
Detail of silk evening dress; embroidery by Lesage; 1960-1962 (c) V&A
If you want to see actual, proper dressing, head down to the V&A now until next February 2018 and see Balenciaga: Shaping Fashion. All the details are on the V&A website.
The outfits are hard to capture through the glass, but you get the idea. Members’ week at the museum and this was the preview night before it opens to the public this weekend.
Here are the results from my sugar sculpting workshop at the V&A this weekend. It was done in part with Tasha Marks of AVMCuriosities and Jon Beck of Scan the World. Sugar sculpture was quite the art form beginning in the 16th century and was a way to show off enormous wealth and prosperity. Elaborate sugar displays often featured architecture and design elements with the pastry chefs showing off design skills, as many carved their own exclusive hardwood moulds. For the workshop, Tasha and Jon spent time taking photographs of objects around the museum to turn into 3D printed moulds for us to use (and with an approximate cost of £0.20 each, it was much less expensive than making moulds by hand)!
The basic recipe:
- 454g icing (powdered sugar)
- 28g gum tragacanth
- 61ml water (or rosewater)
So, a few weeks ago, I waxed lyrical about my new membership to the V&A museum. Woot! I decided to add my dad to my membership for a small fee so he can go to the museum whenever he wants too since he’s retired. We had a very productive, and educational, one-hour tour of museum highlights for the “members only.”
This weekend, I am going to a free workshop on sugar sculpture as part of the Collecting Europe exhibit/event:
“Renaissance sugar sculpture and 3D printing are combined in this one-off workshop. You’ll learn about the history of sugar sculpture with food historian and artist Tasha Marks, have a chance to make your own 17th-century sugar paste, and cast a sugar centerpiece using one of the 3D printed moulds from Alabaster Ruins. Alongside this taste of history, My Mini Factory will showcase some of their 3D print technology, culminating in a guided tour of the museum where you’ll visit the works that were transformed into AVM Curiosities’ installation, Alabaster Ruins.”
You know how much I like anything free! Stay tuned next week and I’ll let you know how it went!
Hopefully, everyone had a nice relaxing Christmas, Hannukah, and New Year?!?
So the best Christmas gift I got was a membership to the Victoria and Albert Museum (V&A) in London. While the museum is normally free for standing exhibits, they do charge a fee for special exhibits. As a member, I’ll be able to get to see all the special exhibits as part of my membership! I won’t lie – I really wanted a contributing membership, but a standard membership will work too.
If you’ve never been to the V&A, go! Go immediately! The easiest tube stop is High Street Kensington (Circle/District) and follow the signs, or it’s an easy walk from Knightsbridge (Piccadilly) if you take the exit for Harrods. They have an amazing collection of Medieval and Renaissance art and sculpture, including the entire front of a building that survived the London fire of 1666. They have amazing fashion through the ages (did you see the shoes exhibit last summer or Alexander McQueen?) as well as Middle Eastern art that will blow your mind!
This weekend, I’m headed down to see Opus Angelicanum: Masterpieces of English Medieval Embroidery which is on through 5 February.
Seal Bag, about 1280, England (c) Westminster Abbey: photo courtesy V&A Museum website